
Cornelia Schulz: “Recent Paintings” at Patricia Sweetow Gallery In the 1950s and 1960s, art critic Clement Greenberg championed abstract painting that would explore color, shape and structure divested of references to the real world; the non-rectangular geometric canvases of Frank Stella epitomize that anti-illusionist logic. In the ’70s, postmodern theorists argued instead for an […]